Scott Hicks, Academy Award-Nominated Director of “Shine,” Signs with Tool
Tool is adding a major talent to its roster with the addition of acclaimed director and writer Scott Hicks. A lauded feature film director who frequently crosses over into the spot and documentary realms, Hicks brings his diverse skill set to Tool, where he will continue to create in the commercial and digital arenas.
Since the Academy Award-nominated and Emmy Award-winning Shine launched Hicks to directorial super-stardom, he has reeled off a string of critically acclaimed films and documentaries, including The Boys Are Back starring Clive Owen, Snow Falling on Cedars based on David Guterson’s novel of the same name, an adaptation of Stephen King’s Hearts in Atlantis starring Anthony Hopkins, an adaptation of Nicholas Sparks’ The Lucky One, and Glass: A Portrait of Philip in Twelve Parts, a feature-length documentary of composer Philip Glass.
“I’m thrilled to be able to work with such an accomplished filmmaker,” stated Tool Managing Director Brian Latt. “Shine is one of my favorite movies, and Scott’s work continues to have a profound effect on me. He’s an incredibly multifaceted director with a special gift for crafting a story.”
Hicks has also been prolific in the commercial space for many years, having directed groundbreaking campaigns for brands such as Hummer, American Express and Subaru.
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- In actual fact amazing
10 min ago - What is the name of the song
2 days 6 hours ago - With this card, they're
2 days 11 hours ago - Haha as well as "Why is it?"
2 days 18 hours ago - This was all so much better
2 days 22 hours ago - This wasn't an Abercrombie
3 days 15 hours ago - This just makes me like
3 days 16 hours ago - Ha haha, the way he snogs the
3 days 21 hours ago - Speaking of cereal&feels,
3 days 22 hours ago - Fair enough. You're not a
4 days 14 hours ago


Hello, i am writing because i have just watched a film directed by you and am completley unhappy with the ending.
The film was The Lucky One, i believe the death of the childs father was not necessary and seemed like a bit of a anti climax.
A much better ending that would have fitted into the theme of the film would be if the father had also been saved and thus having a revalation of his ways and accepting zac efron as part of his childs life.
I feel to end such a good film so pointlessly completley ruins the whole thing.
My previous comment was directed at Scott Hicks himself.
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